![]() ![]() The Decay knob sets the length of the clap, while the Volume control adjusts the overall level of the instrument. You can use the Tune parameter to change the pitch of the clap. ![]() At higher values, the signal has more high-frequency content. The Tone slider adjusts the color of the clap. 0% yields a mono signal while 100% creates a widened stereo image. ![]() The Spread slider sets the stereo width of the clap. Tail adds filtered noise to the impulse of the clap. ![]() The Sloppy control adjusts the delay time between the two delay lines, so you can set how tightly or loose the panned claps play together. (Note: the DS Clap instrument is not available in the Lite, Intro or Standard Editions unless you have Live Standard with a Max for Live license.)ĭS Clap is a mix of filtered noise and an impulse running through panned delay lines, that allows you to create a range of sounds from a tight electronic clap to a more organic, humanized handclap. To preview the sound of the instrument with its current settings, click anywhere in the upper half of the display. The Decay knob sets the length of the sound, while the Volume control adjusts the overall level of the instrument. You can use the Pitch parameter to change the pitch of the instrument. When the Clave switch is activated, you can add repeats to the clave sound using the Repeat slider. The Noise slider allows you to set the amount of white noise applied to the signal. The Filter control sets the high-pass and band-pass filter cutoff, allowing you to change the color of the sound. The Tone A/B sliders let you set the volume for each cowbell tone independently. (Note: the DS Clang instrument is not available in the Lite, Intro or Standard Editions unless you have Live Standard with a Max for Live license.)ĭS Clang consists of two separate tones, white noise and a filter, allowing you to create a variety of cowbell, clave and noise percussion sounds. Max for Live devices have additional functionalities and editing possibilities, which are described in the Max for Live chapter (see ‘Max for Live’). The Working with Instruments and Effects chapter (see ‘Working with Instruments and Effects’) explains the basics of using devices in Live. Even better, it's currently 50% off until April 21st.Live comes with a selection of custom-designed, built-in Max for Live devices. This is super new to me, so I don't have much experience with it myself, but it does seem to have some unique features and a better sequencer than XO. It has a nice sequencer, effects, and is overall just fun to tinker with.Īnother option here that gets a lot of love is Atlas 2. It's been a great tool for the discovery of similar sounds and even creating some unexpected sample combos. If you have a few bucks you're willing to toss at your sample management, I'm a huge fan of XLN's XO. It's free, is super stable, comes with a bunch of extra sounds, and just works really well out of the box. It's a good idea that's just really, REALLY lacking in execution. As much as I hate to shit on free software, and ADSR's customer service has always been great to me, the Sample Manager was always lagging and crashing on me. ![]()
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